Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 33122
Modelling Medieval Vaults: Digital Simulation of the North Transept Vault of St Mary, Nantwich, England
Authors: N. Webb, A. Buchanan
Abstract:
Digital and virtual heritage is often associated with the recreation of lost artefacts and architecture; however, we can also investigate works that were not completed, using digital tools and techniques. Here we explore physical evidence of a fourteenth-century Gothic vault located in the north transept of St Mary’s church in Nantwich, Cheshire, using existing springer stones that are built into the walls as a starting point. Digital surveying tools are used to document the architecture, followed by an analysis process to hypothesise and simulate possible design solutions, had the vault been completed. A number of options, both two-dimensionally and three-dimensionally, are discussed based on comparison with examples of other contemporary vaults, thus adding another specimen to the corpus of vault designs. Dissemination methods such as digital models and 3D prints are also explored as possible resources for demonstrating what the finished vault might have looked like for heritage interpretation and other purposes.Keywords: Digital simulation, heritage interpretation, medieval vaults, virtual heritage, 3D scanning.
Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1127894
Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 1186References:
[1] C. Hartwell, M. Hyde, N. Pevsner, and E. Hubbard, Cheshire. London: Yale University Press, 2011, pp.492-495.
[2] R. Richards, Churches: A Survey of their History, Fabric and Furniture with Records of the Older Monuments. London: Batsford, 1947.
[3] London Charter, The Principles. Available at: http://www.londoncharter.org/principles (Accessed: September 2016), 2009.
[4] N. Webb and A. Buchanan, Tracing the Past. http://www.tracingthepast.org.uk/. (Accessed: May 2016), 2016
[5] A. Tallon, “Divining Proportions in the Information Age,” in: Architectural Histories, 2(1): 15, 2014, pp. 1-14.
[6] A. López-Mozo, R. Senent-Domínguez, M. A. Alonso-Rodríguez, J. Calvo-López, and P. Natividad-Vivó, “Asymmetrical Vaults in Late European Gothic: Basel and Bebenhausen as case studies,” in: Proceedings of the Fifth International Congress of Construction History, volume 2, 2015, pp. 497-504.
[7] B. Ibarra Sevilla, Mixtec Stonecutting Artistry. Mexico, Universidad Nacional Autónoma de México, 2014.
[8] M. Burry, Gaudi Unseen. Berlin: Jovis, 2007.
[9] K. Kensek, L. Swartz Dodd and N. Cipolla, “Fantastic Reconstructions or Reconstructions of the Fantastic? Tracking and Presenting Ambiguity, Alternatives, and Documentation in Virtual Worlds,” in: Proceedings of the 2002 Annual Conference of the Association for Computer Aided Design in Architecture. Pomona: Elsevier BV, 2002, pp. 289-302.
[10] V. Vitale, An Ontology for 3D Visualization in Cultural Heritage. Available at: http://www.digitalclassicist.org/wip/wip2013-02vv.html (Accessed: October, 2016), 2013.
[11] M. Masuch, B. Freudenberg, B. Ludowici, S. Kreiker and T. Strothotte, “Virtual Reconstruction of Medieval Architecture,” in Eurographics, 1999.
[12] P. Draper, “The Sequence and Dating of the Decorated Work at Wells,” in: Art and Architecture at Wells at Glastonbury, British Archaeological Association Conference Transactions IV for 1978. 1981, pp. 18-29.
[13] U. Engel, Worcester Cathedral: An Architectural History. London, England: Phillimore & Co, 2007, pp. 169.
[14] J. M. Maddison, “Master masons of the Diocese of Lichfield: a study in 14th century architecture at the time of the Black Death,” in: Transactions of the Lancashire and Cheshire Antiquarian Society, 85, 1988, pp. 107-72.
[15] J. M. Maddison, Decorated Architecture in the North-West Midlands, unpublished PhD thesis, University of Manchester, 1978.
[16] N. Pevsner and P. Metcalf, The Cathedrals of England: Midland, Eastern and Northern England. New York, Viking, 1985.
[17] N. Pevsner and P. Metcalf, The Cathedrals of England: Southern England, New York: Viking, 1985.
[18] D. Welander, The History, Art and Architecture of Gloucester Cathedral. London, United Kingdom: History Press Limited, 1991 pp. 265.
[19] B. Cherry and N. Pevsner, Devon. New Haven, CT: Yale University Press, 2004.
[20] R. Morris and M. Thurlby. “The Gothic Church: Architectural History.” in: Tewkesbury Abbey: History, Art and Architecture, R. Morris and R. Shoesmith, Eds. London, United Kingdom: Logaston Press, 2003, pp. 109–30.