Models of Copyrights System
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 33122
Models of Copyrights System

Authors: A. G. Matveev

Abstract:

The copyrights system is a combination of different elements. The number, content and the correlation of these elements are different for different legal orders. The models of copyrights systems display this system in terms of the interaction of economic and author's moral rights. Monistic and dualistic models are the most popular ones. The article deals with different points of view on the monism and dualism in copyright system. A specific model of the copyright in Switzerland in the XXth century is analyzed. The evolution of a French dualistic model of copyright is shown. The author believes that one should talk not about one, but rather about a number of dualism forms of copyright system.

Keywords: Copyright, exclusive copyright, economic rights, author's moral rights, rights of personality, monistic model, dualistic model.

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1094024

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 2742

References:


[1] A. Naschitz, Lawmaking. Theory and legislative technique. Moscow: Progress, 1974, pp: 190–191.
[2] P. Sandevoir, Introduction au droit. Moscow: Intratek–R, 1994, pp: 131.
[3] J.–L,Bergel, Theorie general du droit. Moscow: NOTA BENE, 2000, pp: 39.
[4] D. Lipszyc, Droit d'auteur et droits voisins. Moscow: Ladomir, 2002, pp: 132–135.
[5] J., A., L. Sterling, World copyright law. London: Sweet & Maxwell, 2003, pp: 16, 42
[6] A. Lucas, Moral right in France: towards a pragmatic approach? Date Views 10.01.2014 www.blaca.org/Moral%20right%20in%20France% 20by%20Professor%20Andre%20Lucas.pdf.
[7] Cyrill, P. Rigamonti, The Conceptual Transformation of Moral Rights. Date Views 10.01.2014 www.iwr.unibe.ch/content/ueber_uns/prof_ cyrill_p_rigamonti/deutsch/publikationen_von_prof_dr_cyrill_p_rigamonti/e7137/e7141/e7413/e8015/CPR_55AmJCompL67_ger.pdf.
[8] E. Ulmer, Urheber- und Verlagsrecht. 3, neu bearb. Aufl. Berlin, Heidelberg, New York: Springer, 1980, pp: 112–118.
[9] I., A. Bliznets, Intellectual property law in the Russian Federation: theoretical and legal research. A thesis for the degree of Doctor of Law, Moscow, 2003, pp: 24.
[10] The Law of the Switzerland on Copyright and Neighbouring Rights of 09.10.1992. Date Views 10.01.2014 www.wipo.int/wipolex/en/ details.jsp?id=5223.
[11] Berne Convention for the Protection of Literary and Artistic Works of September 9, 1886, Date Views 10.01.2014 www.wipo.int/treaties/ en/ip/berne/trtdocs_wo001.html.
[12] G. Davies, K. Garnett, Moral rights. London: Sweet & Maxwell, 2010, pp: 577.
[13] F. Dessemontet, Letter from Switzerland: the new Copyright Act. Date Views 10.01.2014 www.unil.ch/webdav/site/cedidac/shared/Articles/ New%20Copyright%20Act.pdf.
[14] A. Morillot, On the author's right. Date Views 10.01.2014 www.copy.law.cam.ac.uk/cam/tools/request/showRecord.php?id=record_f_1878.
[15] E. Ulmer, Urheber- und Verlagsrecht. 3, neu bearb. Aufl. Berlin, Heidelberg, New York: Springer, 1980, pp: 116–117.