Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 33090
Some Laws of Rhythm Formulas of Ussuli in the Dancing Culture of People in the Middle and the Central Asia
Authors: G. Saitova, A. Mashurova, F. Mashurova
Abstract:
In the national and professional music of oral tradition of many people in the East there is the metric formula called “ussuli", that is to say rhythmic constructions of different character and a composition. Ussuli in translation from Arabic means the law. The cultural contacts of the ancient and medieval inhabitants of the Central Asia, India, China, East Turkestan, Iraq, Afghanistan, Turkey, and Iran have played a certain role in formation of both musical and dancing heritage of each of these people. During theatrical shows many dances were performed under the accompaniment of percussion instruments as nagra, dayulpaz, doll. The abovementioned tools are used as the obligatory accompanying tool in an orchestra and at support of dancing acts as the solo tool. Dynamics of development of a dancing composition, at times execution of technique of movement depends on various combinations of ussuli and their receptions of execution.Keywords: Dancing, plastic, rhythm, ussuli.
Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1327935
Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 2216References:
[1] A. F. Yeremeyev, "Origin of Art", Moscow, 1970, pp. 237-238.
[2] S. Y. Malov, "Shamanism at Sartesof the East Turkestan. Remains of shamanism among yellow Uygur // living Antiquity",St. Petersburg, 1912, p. 16.
[3] N. N. Pantusov, "Taranchi songs",St. Petersburg, 1890, p. 11.
[4] G.V.Keldysh, "The musical encyclopedic dictionary", Moscow, the Soviet encyclopedia, 1991, p. 568.
[5] "The short literary encyclopedia in eight tones", tone 6, Moscow, 1971, p. 320, p. 410.
[6] K. Mussabekova, "Some problems of the organization of an art ensemble in modern composer creativity of Uzbekistan//Traditional and the modern art of Kazakhstan and the Central Asia", materials of the international scientifically-practical conference, Almaty, Kazakhstan, «ðúÐêð║ð©ÐÅ𢻠("Ushkiyan"), 2004, pp.308-310.
[7] K.F. Kirina "KuddusKuzhamjarov and the Uigur musical culture", Almaty, Kazakhstan, 1944, pp.20-24.
[8] L.A. Avdeeva, "The Uzbek national ballet //Dances "Tanovar", Tashkent, Uzbekistan, the publishing polygraph creative house named after GafurGulyam, 2002 p. 9.
[9] F. Karomatov, "The Uzbek tool music (Heritage)", Tashkent, Uzbekistan, the publishing polygraph creative house named after GafurGulyam, 1972, p. 25, p. 196.
[10] G. T. Zhumaseitova, "The Kazakh Ballet Theater. A parity of traditional and innovative receptions in ballet art (1975-1995)", the author's abstract of the candidate of arts: 17.00.01., Almaty, Kazakhstan, Institute of the literature and art named after M.Auezov, p. 16.
[11] I. Tulla, "Uyghur ussulsaniaty", Urumqi, Xinjiang, China, 1982, p.5
[12] G. Saitova, "Uyghur dancing: Origins. Tradition. Stage embodiment", (monograph), Almaty, Kazakhstan, 2011, p.34.
[13] B. L. Riftin, "From the history of cultural relations in Central Asia and China (II. BC - VIII CE)" // Problems of Oriental Studies, 1960 # 5, p. 122.
[14] A. Stein, "Ancient Khotan. Detailed Report of Archaeological Esplorations in Chinese Turkestan", Vol. 1-2 Ox., 1907, p. 141.
[15] S. C. Valikhanov "Western edge of the Chinese Empire and the city of Yining. Diary of a trip to Yining. 1856" // Works, in five volumes, Alma-Ata, 1985, Volume 2, p. 245.