Application of Kaftan Cloths from Ottoman Military Period to Nowadays World
Authors: R. Moosazadeh
Among the Ottomans, dress was one of the means of expression of the society to which an individual was belonged, and as much as the cloth of the dress, its color reflected the individual's class. Those cloths, and the type and color of the dresses that were worn in the court, were forbidden to ordinary people. In addition, whatever the person's position was, his/her clothes were changed according to that special time and position. The clothes that were worn on trips and ceremonies were different from ordinary clothes in everyday life. At the time of the Ottoman Empire and the old Turkey, the miniature forms, and historical manuscripts were an indicator of the time of that day, and each of them is used as a document from the history of that time for today. The method used in this study is descriptive-analytical and the data collection procedure has been done through library. In this article, the cloth, shape and form of the Kaftan is considered. Firstly, a summary of the history and an explanation of this style of dressing and the importance of it at that time are considered. Finally, by the completion of this research, some of the findings of this research are mentioned, such as the distinctive features of this style and the process of updating it to use it in the present era.
Digital Object Identifier (DOI): doi.org/10.5281/zenodo.2576956Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 274
 T. Reyhanli, According to English travelers 16th-century life in Istanbul. Ankara, 1983, pp. 69-73.
 H. Azimi, Investigating the Patterns of Safavid and Ottoman Fabrics. Tehran University, Tehran, 2012.
 A. A. Beygzadeh, Comparative Aesthetic Study of Safavid and Ottoman Fabrics. Tabriz University, 2008.
 F. Salman, The Meaning of Role and Color in Turkish Fabric. Journal of Ataturk University, Journal of Fine Arts, June 2004.
 S. Tekeli, Ottoman Military Clothing. Osmanli, pp. 534-539.
 B. Lewis, The Emergence of Modern Turkey. Ankara, 1984, pp. 100-103.
 E. Z. Karal, Ottoman history. Ankara, 1983, pp.158.
 H.Y. Sehsuvaroglu, II. Mahmut and the Infant Conversion. Ankara, 1952.
 N. Seni, 19th Century Fashion and Women's Clothing in Istanbul Press. 1980.
 A. Ceyhan, Murad-names of Bedr-i Dilsad, Istanbul, 1997, pp. 878-891.
 E. Onge, Turkish Clothing History Lesson Notes. Konya, 1995, pp. 9.
 I. Binark, Painting and Miniature Art in Turks. Ankara, 1978, pp. 271.
 B. Mahir, Ottoman Miniature Art. Istanbul, 2005, pp. 69.
 S. U. Tanyeli, Dictionary of Art Concepts and Terms. Istanbul, 1996, pp.163.
 O. Aslanapa, Turkish Art. Istanbul, 1984, pp. 372.
 M. Unal, General Characteristics of the Ottoman Revolution. Konya, 1999, pp.747-753.
 H. Tezcan, Topkapi Palace Museum Custody Collection Palace Clothes. Ankara, 1999, pp. 515-528.
 F. Eruz, Selcuk Period Clothing. Istanbul, 1998, pp. 196-208.
 S. K.Yetkin, Art in Islam Countries. Istanbul, 1984, pp. 204.