The Use of Graphic Design Elements for Design of Newspaper for Women
Authors: Pibool Waijittragum
This paper has its objectives to reveal contents and personality suitable to women’s newspapers. The research methodology employed in this study is the questionnaire which is derived from a literature review related to newspapers, graphic elements method for print media design and 12 sample sizes of different daily newspapers. In order to acquire an in-depth understanding and comprehensible view of desirable for a women’s newspaper design, graphic elements that related to that personality as well as other preferable elements for a women’s newspaper, including seven editorial Many Thai newspapers were offer a women’s documentary and column space. With its feminine looks, most of them appeared with warm tones and friendly mood through their headlines, contents, illustrations and graphics. The study found that most desirable personalities for a women’s newspaper design in Thailand are: Modern, Chic and Natural. Each personality has significant graphic elements as follows: 1. Modern: significant elements of modern personality comprises of the composition with graduation pattern which creates attractiveness by using an anomalous alignment layout grid and outstanding structure to create focal points and dynamic movement. Dark to black color that has narrowed, limited hue coupled with bright color tones. The round shape of the Thai font style was suitable for this concept. Such Thai fonts have harmonious proportion and consistent stroke with the urban-polite look. 2. Chic: significant elements of chic personality comprises of the proper composition with distinctive scale, using rhythmic repetition and a contrast of scale to draw in reader attention. Vivid and bright color tones with extensive hues coupled with similar color tones and round shape of the Thai font style with a light stroke and consistent line. 3. Natural: significant elements of natural personality comprises of the proper composition using rhythmic repetition that creates a focal point through striking images and harmonious perspective. Warm color tones with restricted hues that appear to look natural. Duo tone color was suitable through the gradually increasing gradient. The Thai style with hand writing font was suitable through the inconsistent stroke. There are 10 types of daily content that were revealed to be the most desirable for Thai women readers, these are: Daily News, Economics News, Education News, Entertainment News, International news, Political News, Public Health News, Scientific News, Social News and Sports News. As well, there are 16 topics identified as very desirable for Thai women readers, such as: Art and Culture, Automobile, Classified, Special Scoop, Editorial, Advertisement, Entertainment, Health and Quality of Life, History, Horoscope, Lifestyle and Fashion, Literature, Nature - Environment and Tourism, Night Life, Stars and Jet Set Gossip, Women’s Issue.
Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1475014Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 386
 Chantarangsi, S. 1982. Newspaper Design. Chiang Mai: Chiang Mai Book Center, pp. 125.
 Suwannapuem, W. 1978. Publishing Design. Bangkok: Ramkhamhaeng University, pp. 89.
 Pipitkul, W. 2003. Mass Communication. Bangkok: Chulalongkorn University, pp. 10.
 Beauvoir, S. D. 1987. The Woman Destroyed (Pantheon Modern Writers) London: Collins, Publishers, and G.P. Putnam’s Sons, pp. 37.
 Kaewthep, K. 1992. Female in Mass Communication. Bangkok: Chulalongkorn University, pp. 8.
 Dejadiwong A. S. 1983. Feminism Psychology. Bangkok: Bannakij Press, pp. 76.
 Kaewthep, K. 1997. Feminist in Mass Communication. Bangkok: Chulalongkorn University, pp. 53.
 Kumar, R. 2014. Research Methodology. London: Sage Publications Ltd., pp. 93.
 Waijittragum, P. 2013. Visual Communication for Thai Halal Print Media. The International Journal of Design in Society, Vol. 7, No. 4, August 2014, pp. 37. USA: Common Ground Publishing LLC.
 Wong, W. 1993. Principles of form and design. New York: Van Nostrand Reinhold, pp. 137.
 Kobayashi, S. 1991. Color image scale. Tokyo: Kodansha International, pp. 12-13.