The Role of the Shamanistic Music in the Kazakh Folk Culture
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 32799
The Role of the Shamanistic Music in the Kazakh Folk Culture

Authors: T. H. Gabitov, M. Serikkyzy, G. A. Abdurazakova, A. A. Merkhayeva, N. ZH. Mukhabayev

Abstract:

The relics of traditional folk culture in Kazakhstan are ceremonies or their fragments - such as weddings, funerals, shamanism. The world of spiritual creatures, spirits-protectors, spirits-helpers, injury spirits, spirits of illnesses, etc., is described in detail in shamanic rites (in Kazakh culture it is called bakslyk). The study of these displays of folk culture, which reflect the peoples` ethnic mentality or notions about the structure, values and hierarchies of the universe, includes collection and recording of the field materials and their interpretation, i.e. reconstruction of those meanings which were initially embodied or “coded" in folklore. A distinctive feature of Kazakh nomadic culture is its self-preservation and actualization, almost untouched the ancient mythologies of the world, in particular, the mythologies connected with music, musical instruments and the creator of music. Within the frameworks of the traditional culture the word and the music keep the sacral meaning. The ritual melodies and what they carry – the holly, and at the same time unexplored, powerful and threatening, uncontrolled by people world – keep on attributing the soul to all, connected with culture.

Keywords: Shamanism, ritual, folk culture, music.

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1057803

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 2295

References:


[1] ValikhanovCh, The tracks of Shamanism Among the Kirghiz // Ch. Valikhanov. Selected works. Moscow, 1986, 54
[2] Basilov V, The Cult of Sacred in Islam. Moscow, 1970, 93.
[3] Einstein, Science, Philosophy and Religion: A Symposium, 1941, ch.13.
[4] Sagadayev A. M, Octyabrskaya I. V. The Traditional World Outlook of the Turks of South Siberia.Sign and Ritual. Novosibirsk, 1990, 76
[5] KhazratInayat Khan, The Mysticism of Soun. Collection. Moscow, “Sfera", 1997.
[6] Shestakov V. P, Musical Aesthetics in the Countries of the East. General edition and introductory articl. Moscow, “ Music", 1967, 143
[7] Shubina S. N, On the Question of the Opposition of Secular and Spiritual Genres in Musical Culture of the Renaissance. Kurmangazy Kazakh National Conservatoire, Almaty, 2006, 76
[8] Zhirmunsky V.M, Turkic Heroic Epos. Moscow, 1965, 111.
[9] AyazbekovaS.Sh, Cultural and Philosophical Analysis of Music in the Picture of the World of the Kazkhs. Almaty, 2004, 215
[10] Meletynsky E.M. Poetics of a myth. Moscow,1974.
[11] Terner V.A. Symbol and Ritual. Moscow,1983. 23-76
[12] Radlov, Turkish epos and Causasus. Moscow, 2009, p.118.
[13] Karmysheva J, Agricultural rites in Kazakh culture. Moscow, 1986, p.50.
[14] ValikhanovCh, Tenkri (God), the Collection of works, Vol. 1, Almaty, 1961, p.115-116.
[15] Kastern M, Journey to the Laplandia, Nothern Russia and Siberia // ðóhe Store of the land study and travelling; the geographic collection; Moscow, 1980, volume 6, the part 2. The collection of the new and old journeys.- p.388.