@article{(Open Science Index):https://publications.waset.org/pdf/2436,
	  title     = {Research on Hypermediated Images in Asian Films},
	  author    = {Somi Nah and  Timothy Yoonsuk Lee and  Jinhwan Yu},
	  country	= {},
	  institution	= {},
	  abstract     = {In films, visual effects have played the role of
expressing realities more realistically or describing imaginations as if
they are real. Such images are immediated images representing
realism, and the logic of immediation for the reality of images has
been perceived dominant in visual effects. In order for immediation to
have an identity as immediation, there should be the opposite concept
In the mid 2000s, hypermediated images were settled as a code of
mass culture in Asia. Thus, among Asian films highly popular in those
days, this study selected five displaying hypermediated images – 2 Korean, 2 Japanese, and 1 Thailand movies – and examined the
semiotic meanings of such images using Roland Barthes- directional and implicated meaning analysis and Metz-s paradigmatic analysis
method, focusing on how hypermediated images work in the general
context of the films, how they are associated with spaces, and what
meanings they try to carry.},
	    journal   = {International Journal of Humanities and Social Sciences},
	  volume    = {5},
	  number    = {5},
	  year      = {2011},
	  pages     = {815 - 822},
	  ee        = {https://publications.waset.org/pdf/2436},
	  url   	= {https://publications.waset.org/vol/53},
	  bibsource = {https://publications.waset.org/},
	  issn  	= {eISSN: 1307-6892},
	  publisher = {World Academy of Science, Engineering and Technology},
	  index 	= {Open Science Index 53, 2011},