@article{(Open Science Index):https://publications.waset.org/pdf/10013154,
	  title     = {Politic Iconography: The Sky and Pants of Nicolas-Antoine Taunay (1755-1830)},
	  author    = {Bárbara Dantas},
	  country	= {},
	  institution	= {},
	  abstract     = {Nicolas-Antoine Taunay had everything to have a quiet life with his family, his colleagues from the Paris Academy of Art, and as a renowned painter of the French Court, but the conjuncture was quite complicated in those final years of the eighteenth century and first decades of the 19th century. The painter had to adapt to various political and social ruptures: from royalty to the French Revolution, from the empire of Napoleon Bonaparte to the empire of King John VI. We wish to insert Taunay in its context through the analysis of his portrait made by a colleague of the profession and of a Brazilian landscape painted of his own (1816-1821) and, in which he represented himself. Finally, the intention is to find in these two paintings how Nicolas-Antoine Taunay faced himself and in the middle that surrounded him in the traffic that was forced to make it between Paris and Rio de Janeiro. },
	    journal   = {International Journal of Humanities and Social Sciences},
	  volume    = {17},
	  number    = {7},
	  year      = {2023},
	  pages     = {441 - 449},
	  ee        = {https://publications.waset.org/pdf/10013154},
	  url   	= {https://publications.waset.org/vol/199},
	  bibsource = {https://publications.waset.org/},
	  issn  	= {eISSN: 1307-6892},
	  publisher = {World Academy of Science, Engineering and Technology},
	  index 	= {Open Science Index 199, 2023},
	}