Designing Creative Events with Deconstructivism Approach
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 32799
Designing Creative Events with Deconstructivism Approach

Authors: Maryam Memarian, Mahmood Naghizadeh

Abstract:

Deconstruction is an approach that is entirely incompatible with the traditional prevalent architecture. Considering the fact that this approach attempts to put architecture in sharp contrast with its opposite events and transpires with attending to the neglected and missing aspects of architecture and deconstructing its stable structures. It also recklessly proceeds beyond the existing frameworks and intends to create a different and more efficient prospect for space. The aim of deconstruction architecture is to satisfy both the prospective and retrospective visions as well as takes into account all tastes of the present in order to transcend time. Likewise, it ventures to fragment the facts and symbols of the past and extract new concepts from within their heart, which coincide with today’s circumstances. Since this approach is an attempt to surpass the limits of the prevalent architecture, it can be employed to design places in which creative events occur and imagination and ambition flourish. Thought-provoking artistic events can grow and mature in such places and be represented in the best way possible to all people. The concept of event proposed in the plan grows out of the interaction between space and creation. In addition to triggering surprise and high impressions, it is also considered as a bold journey into the suspended realms of the traditional conflicts in architecture such as architecture-landscape, interior-exterior, center-margin, product-process, and stability-instability. In this project, at first, through interpretive-historical research method and examining the inputs and data collection, recognition and organizing takes place. After evaluating the obtained data using deductive reasoning, the data is eventually interpreted. Given the fact that the research topic is in its infancy and there is not a similar case in Iran with limited number of corresponding instances across the world, the selected topic helps to shed lights on the unrevealed and neglected parts in architecture. Similarly, criticizing, investigating and comparing specific and highly prized cases in other countries with the project under study can serve as an introduction into this architecture style.

Keywords: Creativity, deconstruction, event.

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1115334

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 1848

References:


[1] J. Derrida, “Point de follie – Maintenant l’architecture: Essays accompanying the portfolio Bernard Tschumi, La Case Vide: La Villette 1985”, Architectural Association, London, 1986.
[2] A. Read, “Architecturally Speaking: Practices of Art, Architecture and the Everyday”, Routledge, London, PP.175-176, 2002.
[3] B. Tschumi, “Architecture and Disjunction: Collected Essays 1975-1990”, MIT Press, London, 1994.
[4] W. Benjamin, “The Work of Art in the Age of Mechanical Reproduction”, 1936.
[5] B. Tschumi, “Six Concepts: Excerpt from Architecture and Disjunction”, Retrieved from http://workgroups.clemson.edu/, PP.5-6, 2015.
[6] M. Foucault, “The Archaeology of Knowledge”, Routledge, 2002.
[7] G. Deleuze, “ Expressionism in Philosophy: Spinoza”, MIT Press, 1990.
[8] J. Hillier, P. Healey, “The Ashgate Research Companion to Planning Theory: Conceptual Challenges for Spatial Planning”, Ashgate Publishing, Ltd., p.24, 2010.
[9] D. Nettle, “Strong Imagination: Madness, Creativity, and Human Nature”, Oxford University Press, Oxford, England, 2001.
[10] A. Toynbee, “Is America Neglecting her Creativity Minority? In C.W.Taylor (Ed.), Widening Horizons in Creativity: The Proceeding of the Fifth Utah Creativity Research Conference”, Wiley, New York, pp.3-9, 1964.
[11] M.A. Runco, “Creativity”, Annual Review of Psychology, Vol.55, PP.657-687, 2004.
[12] M. Batey, A. Furnham, “Creativity, Intelligence, and Personality: A Critical Review of the Scattered Literature”, Genetic, Social, and General Psychology Monographs, 2006.
[13] R. E.Franken, “Human Motivation”, 3rd Edition, P.396. 1994.
[14] R.A. Prentky, “Mental Illness and Roots of Genius”, Creativity Research Journal, Vol.13, P.97, 2001.
[15] H.B. Parkhurst, “Confusion, Lack of Consensus, and the Definition of Creativity as a Construct”, Journal of Creative Behavior, Vol.33. PP.1-21, 1999.
[16] M. Rhodes, “An Analysis of Creativity. In S. G. Isaksen (Ed.)”, Frontiers of Creativity Research: Beyond the Basics, Buffalo, NY: Bearly, PP.216-222, 1987. (Original work published 1961)
[17] M. Webster, “Merriam-Webster's Collegiate Dictionary: Eleventh Edition”, P.323, 2004.
[18] B. Peeters, “Derrida: A Biography”, John Wiley & Sons Publisher, 2013.
[19] L.D. Kritzman, B. J. Reilly, M. B. DeBevoise, “The Columbia History of Twentieth-century French Thought”, Columbia University Press, 2007.
[20] J. Hill, “Deconstructivist Architecture, 25 Years Later”, Retrieved from http://www.world-architects.com/pages/insight/deconstructivist-architecture-25, 2013.
[21] A. Bani Masoud, “Postmodernism and Architecture”, Tehran: Khak Publications, 1999.
[22] M. Dehghani, “Peter Eisenman and Philosophical Architecture”, Retrieved from Etoood Website, 2012.
[23] D. Longdon, “Wexner Center for the Arts / Peter Eisenman”, Retrieved from http://www.archdaily.com/557986/ad-classics-wexner-center-for-the-arts-peter-eisenman, 2014.
[24] F. Nietzsche, “Notebook”, Summer 1886-Fall1887.
[25] E. Souza, “Parc De La Villette / Bernard Tschumi”, Retrieved from http://www.archdaily.com/92321/ad-classics-parc-de-la-villette-bernard-tschumi, 2011.
[26] M. Falahat, “The Concept of Sense of Place and the Factors Shaping it”, Fine Arts Journal, 2006.
[27] C. Norberg Schulz, “Genius loci: towards a phenomenology of architecture”, Academy Editions, 1980.
[28] Y. Shariatzadeh, “Balance Between Tradition and Innovation”, Abadi Magazine, Fifth Year, Vol.19, pp. 64-67, 1995.
[29] J. Collins, “Derrida for Beginners”, Icon Books Publications, 1996.
[30] V. Ghobadian, “Priniples and Concepts of Contemporary West Architecture”, Sixth Edition, Tehran: Cultural Research Bureau, p.144, 2007.
[31] R. Eghbali, “Origins of Deconstructivism in Philosophy, Art and Architecture”, Fine Arts Journal, Vol.30, p.66, 2007.
[32] B. Ahmadi, “Reality and Beauty”, 14th Edition, Tehran: Markaze Nashr, p.27, 2007.
[33] K. Nesbitt, “Theorizing New Agenda for Architecture: An Anthology of Architectural Theory 1965 – 1995”, Princeton Architectural Press, 1996.