Retrieving Extended High Dynamic Range from Digital Negative Image - An Experiment on Architectural Photo Imaging
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 32794
Retrieving Extended High Dynamic Range from Digital Negative Image - An Experiment on Architectural Photo Imaging

Authors: See Zi Siang, Khairul Hazrin Hashim, Harold Thwaites, Lee Xia Sheng, Ooi Wooi Har

Abstract:

The paper explores the development of an optimization of method and apparatus for retrieving extended high dynamic range from digital negative image. Architectural photo imaging can benefit from high dynamic range imaging (HDRI) technique for preserving and presenting sufficient luminance in the shadow and highlight clipping image areas. The HDRI technique that requires multiple exposure images as the source of HDRI rendering may not be effective in terms of time efficiency during the acquisition process and post-processing stage, considering it has numerous potential imaging variables and technical limitations during the multiple exposure process. This paper explores an experimental method and apparatus that aims to expand the dynamic range from digital negative image in HDRI environment. The method and apparatus explored is based on a single source of RAW image acquisition for the use of HDRI post-processing. It will cater the optimization in order to avoid and minimize the conventional HDRI photographic errors caused by different physical conditions during the photographing process and the misalignment of multiple exposed image sequences. The study observes the characteristics and capabilities of RAW image format as digital negative used for the retrieval of extended high dynamic range process in HDRI environment.

Keywords: High Dynamic Range Image, Photography Workflow Optimization, Digital Negative Image, Architectural Image

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1084928

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 1566

References:


[1] M.D. Fairchild, and G.M. Johnson, "Meet iCAM: An Image Color Appearance Model," in IS&T/SID 10th Color Imaging Conference, 2002, Scottsdale.
[2] A. Adams, Examples: The Making of 40 Photographs. 1983, Little, Brown & Co., Boston.
[3] A. Adams, The Negative. 1981, Little, Brown & Co., Boston.
[4] A. Adams, The Print. 1980, Little, Brown & Co., Boston.
[5] E. Reinhard, W. Heidrich, P. Debevec, S. Pattanaik, G. Ward, and K. Myszkowski, High Dynamic Range Imaging (2nd Edition), Aaquisition, Display, and Image-based lighting. 2010, ELSEVIER.
[6] P-Y. Lu. T-H. Huang, M-S. Wu,Y-T. Cheng, and Y-Y. Chuang, Y-Y, "High dynamic range image reconstruction from hand-held cameras," in 2009 IEEE Conference on Computer Vision and Pattern Recognition, Miami, USA.
[7] S. Lee, H-C. Wey, and S-D. Lee, "Image registration for multi-exposed HDRI and motion deblurring," in Computational Imaging VII, 2009, Korea.
[8] L. Nordeman, "Photography as a Research Method", 1997. http://xroads.virginia.edu/%7Eug97/fsa/tool.html (accessed June 17, 2012).
[9] S.K. Bhavnani, "The retrieval of highly scattered facts and architectural images: Strategies for search and design," in Automation in Construction, vol. 14, no. 6, pp. 724-735, 2005.
[10] M.A. N├║├▒ez Andrés, and F. Buill Pozuelo, "Evolution of the architectural and heritage representation," in Landscape and Urban Planning, vol. 91, no. 2, pp. 105-112, 2009.
[11] Canon. (2012). Canon 5D mk III. http://media.canon-asia.com/shared/live/products/EN/5DMarkIII%20Br ochure.pdf (retrieved May 07, 2012).
[12] Nikon. (2012). Nikon Original Technology. http://imaging.nikon.com/lineup/dslr/d800/features01.htm#a2 (retrieved May 07, 2012).
[13] A.M. Andrew, "pixels and patterns a satellite-based investigation of changes to urban features in Sanya Region," Unpublished doctoral dissertation, University of Waterloo, Ontario, Canada, 2004.
[14] D. Bredemeyer, and R. Malan, "The role of the architect," 2002, http://www.bredemeyer.com/pdf_files/role.pdf (retrieved June 03, 2012).
[15] H. Yoshida, and M. Omae, "An approach for analysis of urban morphology: methods to derive morphological properties of city blocks by using an urban landscape model and their interpretations," in Computers, Environment and Urban Systems, vol. 29, no. 2, pp. 223-247, 2005.
[16] S. McGloughlin, "Multimedia Concepts," in Multimedia Concepts and Practice. United States of America: Prentice Hall, 2001. pp.1-41.
[17] Adobe, "Digital Negative (DNG)," 2011, http://www.adobe.com/products/dng/ (retrieved June 02, 2011).
[18] D. Nightingale, Practical HDR, Second Edition: A complete guide to creating High Dynamic Range images with your Digital SLR. Focal Press, 2012.
[19] G. Ward, "High Dynamic Range Imaging," 2011, http://www.pauldebevec.com/Research/HDR/Ward-HDRImaging-20010 521.pdf (accessed June 17, 2012).
[20] A. Rafi, M, Tinauli, and M. Izani, "High Dynamic Range Images: Evolution, Applications and Suggested Processes," in Information Visualization, 2007. IV '07. 11th International Conference. 2007.
[21] M.D. Fairchild, "The HDR photographic survey," in IS&T/SID 15th Color Imaging Conference, Albuquerque, pp. 233-238, 2007.
[22] HDRsoft, "Photomatix Pro User Manual", 2010.
[23] A. Schulz, Architectural Photography: Composition, Capture, and Digital Image Processing. Rocky Nook, 2012.
[24] J. Gulbins, Photographic Multishot Techniques: High Dynamic Range, Super-Resolution, Extended Depth of Field, Stitching. Rocky Nook, 2009.
[25] P.E. Debevec, and J. Malik, "Recovering High Dynamic Range Radiance Maps from Photographs," in SIGGRAPH, 1997. pp.369-378.
[26] G.W. Larson, H. Rushmeier, and C. Piatko, "A visibility matching tone reproduction operator for high dynamic range scenes," in IEEE Transactions on Visualization and Computer Graphics, 1997, vol 3, no. 4, pp. 291-326.
[27] NASA, "The Gateway to Astronaut Photography of Earth, Image Science and Analysis Laboratory," NASA-Johnson Space Center, 2011, http://eol.jsc.nasa.gov/sseop/metadata/Cameras/D3.htm (retrieved June 02, 2011).
[28] NASA, "Open Pit Mines, Southern Arizona," 2011, http://earthobservatory.nasa.gov/IOTD/view.php?id=42555 (retrieved June 02, 2011).
[29] M.K. Johnson, "Capturing Linear Images," 2009, http://www.mit.edu/~kimo/blog/linear.html (retrieved Jun 01. 2011).
[30] Victoria and Albert Museum, "Sea and sky photographs by Gustave Le Grey", 2012, http://www.vam.ac.uk/content/articles/s/gustave-le-grey-exhibition/
[retrieved 27 July 2012]
[31] L. Rehm, "D3x In Depth Review", 2009, http://www.dpreview.com/reviews/nikond3x (retrieved 01 December 2010)
[32] Imatest, "Imatest - Using Stepchart", 2012, http://www.imatest.com/docs/q13/#dynamic (retrieved 27 July 2012)
[33] R. Gardner, "Digital Tones and Exposure Zones", 2004, http://www.rags-int-inc.com/PhotoTechStuff/TonesnZones/ (retrieved 27 July 2012)
[34] Gakken Co, Mastering in RAW. 2008, Canon Singapore.
[35] H. Richard, Photographer's Guide to RAW in Photoshop. Future Publishing, UK, 2010.
[36] G. Pellitteri, "A tool for a first analysis of architectural façades," in Automation in Construction, vol 5, no 5, pp. 379-391, 1997.