Equality, Friendship, and Violence in Slash or Yaoi Fan Art
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 32807
Equality, Friendship, and Violence in Slash or Yaoi Fan Art

Authors: Proud Arunrangsiwed

Abstract:

Slash or Yaoi fan art is the artwork that contains a homosexual relationship between fictional male characters, who were heterosexual in the original media. Previous belief about Slash or Yaoi fan art is that the fan fiction writers and the fan artists need to see the equality in romantic relationship. They do not prefer the pairing of man and woman, since both genders are not equal. The objectives of the current study are to confirm this belief, and to examine the relationship between equality found in Slash fan art, friendship in original media, and violence contained in fan art. Mean comparisons show that equality could be found in the pairing of hero and hero, but rarely found in the pairing of hero and villain. Regression analysis shows that the level of equality in fan art and friendship in original media are significant predictors of violence contained in fan art. Since villain-related pairings yield a high level of violence in fan art and a low level of equality, researchers of future studies should find the strategies to prevent fans to include villains in their Slash or Yaoi fan art.

Keywords: Equality, fan art, slash, violence, yaoi.

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1338530

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 3007

References:


[1] M. J. McLelland, “The World of Yaoi: The Internet, Censorship and the Global “Boys’ Love” Fandom,” The Australian Feminist Law Journal, vol. 23, pp. 61-77, 2005.
[2] P. Kalinowski, “The Fairest of Them All: The Creative Interests of Female Fan Fiction Writers and the Fair Use Doctrine,” Wm. & Mary J. of Women & L., vol. 20, pp. 655–709, 2014.
[3] C. Salmon and D. Symons, “Slash fiction and human mating psychology,” Journal of Sex Research, vol. 41, no. 1, pp. 94–100, 2004.
[4] A. Kustritz, “Slashing the romance narrative,” The Journal of American Culture, vol. 26, no. 3, pp. 371–384, 2003.
[5] C. Tosenberger, “Homosexuality at the online Hogwarts: Harry Potter slash fanfiction,” Children's Literature, vol. 36, no. 1, pp. 185–207, 2008.
[6] V. Keft-Kennedy, “Fantasising Masculinity in Buffyverse Slash Fiction: Sexuality, Violence, and the Vampire,” Nordic Journal of English Studies, vol. 7, pp. 49–80, 2008.
[7] S. Katyal, “Performance, property, and the slashing of gender in fan fiction,” Journal of Gender, Social Policy, and the Law, vol. 14, pp. 463, 2006.
[8] M. L. Leavenworth, “Lover revamped: sexualities and romance in the black dagger brotherhood and slash fan fiction,” Extrapolation, vol. 50, no. 3, pp. 442–462, 2009.
[9] Y. Ishikawa, “Yaoi: Fan Art in Japan,” Comparative Studies on Urban Cultures, pp. 11-13, 2008.
[10] S. S. Pratiwi, “Women’s Portrayals in the Comic Books (A Visual Grammar of the Heroines’ Portrayals in the Selected Comic Books Published by Dc Comics and Marvel),” Passage, vol. 1, no. 2, pp. 119– 124, 2013.
[11] J. P. Dennis, “Drawing desire: male youth and homoerotic fan art,” of LGBT Youth, vol. 7, no. 1, pp. 6–28, 2010.
[12] M. McLelland and S. Yoo, “The international Yaoi boys’ love fandom and the regulation of virtual child pornography: current legislation and its implications,” Journal of Sexuality Research and Social Policy, vol. 4, no. 1, pp. 93–104, 2007.
[13] M. J. McLelland, “Australia's proposed internet filtering system: its implications for animation, comic and gaming (ACG) and slash fan communities,” Media international Australia, incorporating Culture & policy, vol. 134, pp. 7–19, 2010.
[14] F. Y. Lam, “Comic Market: How the World's Biggest Amateur Comic Fair Shaped Japanese Dōjinshi Culture,” Mechademia, vol. 5, no. 1, pp. 232–248, 2010.
[15] W. L. Bolt, “The Hidden Authors: A Study and Survey of Fan Fiction Writers,” 2004. Retrieved May 11th, 2015, from http://trace.tennessee.edu/cgi/viewcontent.cgi?article=1715&context=ut k_chanhonoproj
[16] L. S. Cook and P. Smagorinsky, “Constructing positive social updrafts for extranormative personalities,” Learning, Culture and Social Interaction, vol. 3, no. 4, pp. 296–308, 2014.
[17] N. Lamerichs, “The cultural dynamic of doujinshi and cosplay: Local anime fandom in Japan, USA and Europe,” Participations, vol. 10, no. 1, pp. 232–248, 2010.
[18] R. W. Black, “Language, culture, and identity in online fanfiction,” Elearning and Digital Media, vol. 3, no. 2, pp. 170–184, 2006.
[19] E. J. D. Gutiérrez, “Video games and gender-based violence,” Procedia - Social and Behavioral Sciences, vol. 132, pp. 58–64, 2014.
[20] P. Arunragnsiwed, “The Confirmation Study of Mutant Being and Friendship of Slash Characters in Original Media,” Silpakorn University Journal of Social Sciences, Humanities, and Arts, vol. 16, no. 1, 2016.
[21] J. Brennan, “Slash Manips: Remixing popular media with gay pornography,” M/C Journal, vol. 16, no. 4, 2013.
[22] D. Bazzini, L. Curtin, S. Regan and D. Martz, “Do Animated Disney Characters Portray and Promote the Beauty–Goodness Stereotype?,” Journal of Applied Social Psychology, vol. 40, no. 10, pp. 2687–2709, 2010.
[23] E. Woledge, Intimatopia: Genre intersections between slash and the mainstream. Fan fiction and fan communities in the age of the internet, 2006, pp. 97–114.
[24] J. B. Helfgott, “Criminal behavior and the copycat effect: Literature review and theoretical framework for empirical investigation,” Aggression and Violent Behavior, vol. 22, pp. 46–64, 2015.
[25] P. Arunrangsiwed, “Like Me & Follow Me: A Relationship between Homophily and Belief of Superheroes’ Fans,” Journal of communication arts review (นิเทศศาสตรปริทัศน์), vol. 18, no. 2, pp. 35–50, 2015.
[26] Trending Now, “Highschool Student died after re-enacting the Fifty Shades of Grey,” February 2015. Retrieved August 16th, 2015, from http://trendingnow.altervista.org/highschool-student-died-re-enactingfifty- shades-grey/
[27] M. D. Meyer, “Slashing Smallville: The interplay of text, audience and production on viewer interpretations of homoeroticism,” Sexuality & Culture, vol. 17, no. 3, pp. 476–493, 2013.
[28] Google Keyword Planner, “Google AdWords,” Retrieved November 16th, 2015, from https://adwords.google.com/ko/KeywordPlanner/