Musical Notation Reading versus Alphabet Reading - Comparison and Implications for Teaching Music Reading to Students with Dyslexia
Commenced in January 2007
Frequency: Monthly
Edition: International
Paper Count: 32797
Musical Notation Reading versus Alphabet Reading - Comparison and Implications for Teaching Music Reading to Students with Dyslexia

Authors: Ora Geiger

Abstract:

This paper discusses the question whether a person diagnosed with dyslexia will necessarily have difficulty in reading musical notes. The author specifies the characteristics of alphabet reading in comparison to musical notation reading, and concludes that there should be no contra-indication for teaching standard music reading to children with dyslexia if an appropriate process is offered. This conclusion is based on a long term case study and relies on two main characteristics of music reading: (1) musical notation system is a systematic, logical, relative set of symbols written on a staff; and (2) music reading learning connected with playing a musical instrument is a multi-sensory activity that combines sight, hearing, touch, and movement. The paper describes music reading teaching procedures, using soprano recorders, and provides unique teaching methods that have been found to be effective for students who were diagnosed with dyslexia. It provides theoretical explanations in addition to guidelines for music education practices.

Keywords: Alphabet reading, music reading, multisensory teaching method, dyslexia, recorder playing.

Digital Object Identifier (DOI): doi.org/10.5281/zenodo.1109005

Procedia APA BibTeX Chicago EndNote Harvard JSON MLA RIS XML ISO 690 PDF Downloads 2079

References:


[1] Lyon, G.R., Shaywitz, S. E., & Shaywitz, B. A. (2003). Defining dyslexia, comorbidity, teachers’ knowledge of language and reading: a definition of dyslexia. Annals of Dyslexia, 53(1), 1–14.
[2] International Dyslexia Association (online) http://eida.org/multisensory-structured-language-teaching/. Retrived August 31 2015.
[3] British Dyslexia Association & Music Teacher, Teacher Guide to Music and Dyslexia (online). Retrieved from http://www.rhinegold.co.uk/downloads/magazines/music_teacher/music _teacher_guide_music_and_dyslexia.pdf. Retrieved July 27 2015.
[4] Hubicki, M., & Miles, T. R. (1991). Musical notation and multisensory learning. Child Language Teaching and Therapy, 7(1), 61-78.
[5] Forgeard, M., Schlaug, G., Norton, A., Rosam, C., Iyengar, U., & Winner, E. (2008). The relation between music and phonological processing in normal-reading children and children with dyslexia. W.-K. Chen, Linear Networks and Systems (Book style). Belmont, CA: Wadsworth, 1993, pp. 123–135.
[6] British Dyslexia Association, Music and inclusive teaching (information booklet) (online) http://www.bdadyslexia.org.uk/common/ckeditor/filemanager/userfiles/ Educator/Music/BDA_Music_information_booklet.pdf. Retrived July 27 2015.
[7] Huss, M., Verney, J. P., Fosker, T., Mead, N., & Goswami, U. (2011). Music, rhythm, rise time perception and developmental dyslexia: perception of musical meter predicts reading and phonology. Cortex, 47(6), 674-689.
[8] Overy, K. (2000). Dyslexia, temporal processing and music: The potential of music as an early learning aid for dyslexic children. Psychology of Music, 28(2), 218-229.
[9] Overy, K., Nicolson, R. I., Fawcett, A. J. and Clarke, E. F. (2003), Dyslexia and music: measuring musical timing skills. Dyslexia, 9: 18– 36. doi: 10.1002/dys.233
[10] Ganschow, L., Lloyd-Jones, J., & Miles, T. R. (1994). Dyslexia and musical notation. Annals of Dyslexia, 44(1), 185-202.